HOW TO START A HISTORY

For the Durants, the writing of history is an art that requires more than facts or perspective; it demands eloquence. In evocative power, breadth--and breathlessness--the opening sentence of their new book is hard to beat:

HOW did it come about that a man born poor, losing his mother at birth and soon deserted by his father, afflicted with a painful and humiliating disease, left to wander for twelve years among alien cities and conflicting faiths, repudiated by society and civilization, repudiating Voltaire, Diderot, the Encyclopedi and the Age of Reason, driven from place to place as a dangerous rebel, suspected of crime and insanity, and seeing, in his last months, the apotheosis of his greatest enemy--how did it come about that this man, after his death, triumphed over Voltaire, revived religion, transformed education, elevated the morals of France, inspired the Romantic movement and the French Revolution, influenced the philosophy of Kant and Schopenhauer, the plays of Schiller, the novels of Goethe, the poems of Wordsworth, Byron and Shelley, the socialism of Marx, the ethics of Tolstoi, and, altogether, had more effect on posterity than any other writer or thinker of that eighteenth century in which writers were more influential than they had ever been before?

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