Monday, Mar. 11, 1940

SYMPHONIC, ETC.

Walter Piston: Suite From the Incredible Flutist (Boston "Pops" Orchestra, Arthur Fiedler conducting; Victor: four sides). Newly thawed from the Kulturbolschewist morgue, Harvard's Composer Piston kicks up his heels in one of the deftest, most scintillant ballet scores ever penned by a U. S. composer.

Jaromir Weinberger: Under the Spreading Chestnut Tree (Cleveland Orchestra, Artur Rodzinski conducting; Columbia: four sides). An English pseudo-folk song made famous when King George VI sang it at a boys' camp (TIME, Oct. 23), Under the Spreading Chestnut Tree was really written by old-fashioned British Composer William Sterndale Bennett. The spirited, polka-dotted variations on it by Czech Weinberger (who thought it a genuine antique) get brilliant treatment from the Clevelanders.

Debussy: La Mer (Boston Symphony, Sergei Koussevitzky conducting; Victor: six sides). Record of the month. Koussevitzky's Bostonians make every salty splash of Impressionist Debussy's great seascape glisten in hazy sunshine. Magnificently recorded.

Beethoven: Symphony No. 5 (NBC Symphony, Arturo Toscanini conducting; Victor: eight sides). Most famed of living maestros gives the most famed of all symphonies a fiery performance. But the asbestos-lined acoustics of Radio City's broadcasting Studio 8-H, where it was recorded, make it sound somewhat brittle.

Boccherini-Francaix: Scuola di Ballo (London Philharmonic, Antal Dorati conducting; Columbia: four sides). A sheaf of charming 18th-Century salon pieces collected and orchestrated as a ballet by tricky, French, 27-year-old Modernist Frangaix.

Wagner: Love Duet and Liebestod from Tristan, Bruennhilde's Immolation from Goetterdaemmerung (San Francisco Opera Orchestra, Edwin McArthur conducting, with Kirsten Flagstad and Lauritz Melchior; Victor: ten sides). Souvenir of a great operatic team which may soon be heard no more (TIME, Jan. 22). Conductor McArthur's shyly reticent accompaniment keeps it from being as good as it should be.

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