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Good Girls Go to Paris (Columbia), before the Hays office gave it a brush-off, had a Too in its title. As it stands, Paris is just a naughty notion in the head of a waitress named Jenny Swanson (Joan Blondell), who has big gold-digging ideas but not the true killer instinct. Jenny ends up as a sort of middle-aged Shirley Temple, patching up a flock of romantic tatters, curing rich old Olaf Brand's gouty hypochondria with extra blankets and aquavit, reminding him: "Swedes need to sweat." Nearest Jenny ever gets to Paris high life is Manhattan's sotty El Morocco, where she surveys all the bibbing and napery with a waitress's eye, concludes: "I bet this place has a lot of dirty linen."

S O S--Tidal Wave (Republic). To frighten Good-Government voters away from the polls, a political machine fakes a terrifying television broadcast of an earthquake and tidal wave which topples Manhattan's Empire State Building, beaches a Leviathan in Wall Street, wipes Grand Central off the timetables. But it doesn't work.

Mr. Moto Takes a Vacation (Twentieth Century-Fox), but it is a busman's holiday. Detective Moto (Peter Lorre) convoys a much-coveted bauble on a voyage from Honolulu to San Francisco, spends most of the time tossing red herring back into a sea of circumstance.

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