Best Plays in Manhattan

A MONTH IN THE COUNTRY--Turgenev, delicate suburbiana, Alia Nazimova.

APPLE CART--Monarchistic Shavianism.

BERKELEY SQUARE--Leslie Howard and Margalo Gilmore under the influence of Henry James.

HOTEL UNIVERSE--An elaborate inquiry into the frustrations of people of unimportance, by Philip Barry.

JOURNEY'S END--British Public School men on the Western Front.

JUNE MOON--Intimate glimpses of Tin Pan Alley.

REBOUND--Hope Williams as Hope Williams, at home and abroad.

STREET SCENE--Tempest in a brownstone front.

SUBWAY EXPRESS--Murder on the underground.

THE GREEN PASTURES--Many a Negro's idea of Heaven.

THE LAST MILE--A frightening one-act play in the death house to which two acts of sure-fire melodrama are added.

UNCLE VANYA--Chekov revived, gently handled by Cinemactress Lillian Gish, Walter Conolly, Osgood Perkins.

Musical--EARL CARROLL'S SKETCH BOOK, FIFTY MILLION FRENCHMEN, SONS o' GUNS, KILPATRICK'S OLDTIME MINSTRELS, THREE LITTLE GIRLS, SIMPLE SIMON.

Best Pictures

JOURNEY'S END--British soldiers at their tragic shell game.

ANNA CHRISTIE--Around the waterfront with Greta Garbo.

THE MAN FROM. BLANKLEY'S--Barrymore with a buzz on.

SARAH AND SON--Ruth Chatterton and the mother theme.

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