Monday, Apr. 14, 1930
GOING
Best Plays in Manhattan
A MONTH IN THE COUNTRY--Turgenev's delicate study of suburban lovelife.
FRITZ LEIBER--Sensible Shakespeare by Mr. Leiber and his Chicago repertory company.
IT'S A WISE CHILD--Family farce now being given in numerous places and tongues.
JOURNEY'S END--Vignette of battle.
JUNE MOON--Lardner-Kaufman dialog out of the mouths of songwriters.
STREET SCENE--Proletariat passion and mirth.
STRICTLY DISHONORABLE--Blithe and racy fairy tale.
SUBWAY EXPRESS--Murder in motion.
TOPAZE--Ludicrous Gallicisms with Frank Morgan.
THE APPLE CART--Bernard Shaw's latest treat for good listeners.
THE FIRST MRS. FRASER--St. John Ervine's comedy with polite sex psychology.
THE GREEN PASTURES--Negro religious experience translated into a great play.
THE LAST MILE--Literal and harrowing tragedy of the electric chair.
Musical--EARL CARROLL'S SKETCH BOOK, SONS O' GUNS, FIFTY MILLION FRENCHMEN, WAKE UP AND DREAM, SIMPLE SIMON.
Best Pictures
ANNA CHRISTIE--O'Neill might have written it to order for Greta Garbo.
MAMMY (Al Jolson)--His inevitable mother picture, with some new songs by Irving Berlin.
SARAH & SON (Ruth Chatterton)-- Mother-love with a German accent, finely acted.
THE MAN FROM BLANKLEY'S--John Barrymore's idea of comic inebriation.
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