Monday, Apr. 14, 1930

GOING

Best Plays in Manhattan

A MONTH IN THE COUNTRY--Turgenev's delicate study of suburban lovelife.

FRITZ LEIBER--Sensible Shakespeare by Mr. Leiber and his Chicago repertory company.

IT'S A WISE CHILD--Family farce now being given in numerous places and tongues.

JOURNEY'S END--Vignette of battle.

JUNE MOON--Lardner-Kaufman dialog out of the mouths of songwriters.

STREET SCENE--Proletariat passion and mirth.

STRICTLY DISHONORABLE--Blithe and racy fairy tale.

SUBWAY EXPRESS--Murder in motion.

TOPAZE--Ludicrous Gallicisms with Frank Morgan.

THE APPLE CART--Bernard Shaw's latest treat for good listeners.

THE FIRST MRS. FRASER--St. John Ervine's comedy with polite sex psychology.

THE GREEN PASTURES--Negro religious experience translated into a great play.

THE LAST MILE--Literal and harrowing tragedy of the electric chair.

Musical--EARL CARROLL'S SKETCH BOOK, SONS O' GUNS, FIFTY MILLION FRENCHMEN, WAKE UP AND DREAM, SIMPLE SIMON.

Best Pictures

ANNA CHRISTIE--O'Neill might have written it to order for Greta Garbo.

MAMMY (Al Jolson)--His inevitable mother picture, with some new songs by Irving Berlin.

SARAH & SON (Ruth Chatterton)-- Mother-love with a German accent, finely acted.

THE MAN FROM BLANKLEY'S--John Barrymore's idea of comic inebriation.

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