Monday, Jan. 09, 1928
Best Plays in Manhattan
These are the plays which in the light of metropolitan criticism, seem most important.
SERIOUS
PORGY--A Negro cast acting a Negro tragedy with eminent ability.
COQUETTE--Helen Hayes superbly revealing the love tragedy of a small southern town.
MAX RIENHARDT'S SEASON--German productions, enormous, delicate, beautiful, unique.
JUNO AND THE PAYCOCK--The best of the Irish theatre in a glowing exceedingly native importation.
Other well regarded serious plays are ESCAPE; BLESS YOU, SISTER; CIVIC REPERTORY THEATRE'S series; BEHOLD THE BRIDEGROOM.
MELODRAMA
BROADWAY--The stern saga of love and gunnery behind the scenes in a Manhattan night club.
THE TRIAL OF MARY DUGAN--A courtroom scene in which a very lovely lady just escapes the death penalty.
INTERFERENCE--A most imposingly well mannered English murder.
THE RACKET--Police, bootleggers, easy virtue, guns, two deaths; Chicago in the rough.
Other able melodramas: NIGHTSTICK ; DRACULA ; CELEBRITY.
FUNNY
THE DOCTOR'S DILEMMA--Flawless reincarnation of Bernard Shaw's early cartoon of London doctors.
THE ROYAL FAMILY--Reviewed in this issue.
THE COMMAND TO LOVE--Diplomats with their hair down.
BURLESQUE--Life laughs in tights and putty noses behind the scenes in burlesque theatres.
THE TAMING OF THE SHREW--Boisterous Shakespeare with all modern improvements.
Other laughing matters: THE SHANNONS OF BROADWAY; THE BABY CYCLONE; PARIS BOUND.
MUSICAL
Songs and slips on the banana peel are well managed in: Manhattan Mary, Show Boat, A Connecticut Yankee, Hit the Deck, Good News, Funny Face.